Outstanding Single-Camera Picture Editing For A Drama Series
The Mandalorian • Chapter 4: Sanctuary Disney+ • Lucasfilm Ltd. Dana E. Glauberman, ACE, Editor Dylan Firshein, Additional Editor
The Mandalorian • Chapter 8: Redemption Disney+ • Lucasfilm Ltd. Jeff Seibenick, Editor
Ozark • Fire Pink Netflix • Media Rights Capital Vikash Patel, Editor
Ozark • Wartime Netflix • Media Rights Capital Cindy Mollo, ACE, Editor
Stranger Things • Chapter Eight: The Battle Of Starcourt Netflix • Netflix Dean Zimmerman, ACE, Editor Katheryn Naranjo, Editor
Succession • DC HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Ken Eluto, ACE, Editor
Succession • This Is Not For Tears HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Bill Henry, Editor Venya Bruk, Additional Editor
Outstanding Single-Camera Picture Editing For A Comedy Series
Curb Your Enthusiasm • Elizabeth, Margaret And Larry HBO • HBO Entertainment Steve Rasch, ACE, Editor
Insecure • Lowkey Trying HBO • HBO Entertainment in association with Issa Rae Productions, Penny for Your Thoughts Entertainment and 3 Arts Entertainment Nena Erb, ACE, Editor Lynarion Hubbard, Additional Editor
The Marvelous Mrs. Maisel • A Jewish Girl Walks Into The Apollo… Prime Video • Amazon Studios Kate Sanford, ACE, Editor Tim St reeto, ACE, Editor
Schitt’s Creek • Happy Ending Pop TV • Not A Real Company Productions, Inc. Trevor Ambrose, Editor
Schitt’s Creek • Start Spreading The News Pop TV • Not A Real Company Productions, Inc. Paul Winestock, CCE, Editor
What We Do In The Shadows • Resurrection FX Networks • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, Editor
Outstanding Multi-Camera Picture Editing For A Comedy Series
The Conners • Slappy Holidays ABC • Werner Entertainment / Jax Media / Mohawk Productions / sara + tom Brian Schnuckel, ACE, Editor
One Day At A Time • Boundaries Pop TV • Sony Pictures Television, Act III Productions, Glo Nation, Snowpants Productions Cheryl Campsmith, ACE, Editor
Will & Grace • We Love Lucy NBC • Universal Television in association with KoMut Entertainment and Three Princesses and a P Peter Beyt, ACE, Editor
Will & Grace • What A Dump NBC • Universal Television in association with KoMut Entertainment and Three Princesses and a P Joseph Fulton, Editor
Outstanding Single-Camera Picture Editing For A Limited Series Or Movie
El Camino: A Breaking Bad Movie Netflix • Sony Pictures Television / High Bridge Productions / Gran Via Productions Skip Macdonald, ACE, Editor
Mrs. America • Phyllis FX Networks • FX Productions Robert Komatsu, ACE, Editor
Watchmen • A God Walks In To Abar HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Henk Van Eeghen, ACE, Editor
Watchmen • It’s Summer And We’re Running Out Of Ice HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics David Eisenberg, Editor
Watchmen • This Extraordinary Being HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Anna Hauger, Editor
Outstanding Picture Editing For Variety Programming
The Daily Show With Trevor Noah • Trump’s Coronavirus Address (Bloopers Included) And Trevor’s Audience Tribute Song Comedy Central • Central Productions, LLC Mike Choi, Editor Tom Favilla, Editor Nikolai Johnson, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor Robert York, Editor Dave Chappelle: Sticks & Stones • Netflix • Lathan TV | Pilot Boy Jeff U’Ren, Editor
Dave Chappelle: The Kennedy Center Mark Twain Prize For American Humor PBS • WETA Washington, D.C., The John F. Kennedy Center for the Performing Arts, Done + Dusted Brad Gilson, Editor Chester G. Contaoi, Editor Jon Alloway, Editor Pi Ware, Package Editor Brian Forbes, Package Editor
Last Week Tonight With John Oliver • Eat Shit Bob! (segment) HBO • HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television Ryan Barger, Editor
Last Week Tonight With John Oliver • The Journey of ChiiJohn: Chapter 2 (segment) HBO • HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television Anthony Miale, Editor
Outstanding Picture Editing For A Nonfiction Program
American Factory Netflix • Higher Ground Productions and Participant Media Lindsay Utz, Editor
Apollo 11 CNN • CNN Films, Statement Pictures, NEON Todd Douglas Miller, Editor
Beastie Boys Story Apple TV+ • Pulse Films Jeff Buchanan, ACE, Editor Zoe Schack, Editor
The Last Dance • Episode 1 ESPN • A Mandalay Sports Media Production in association with NBA Entertainment, ESPN Films, Netflix Chad Beck, ACE, Editor Devin Concannon, Editor Abhay Sofsky, Editor Ben Sozanski, ACE, Editor
McMillion$ • Episode 3 HBO • HBO Documentary Films and Unrealistic Ideas in association with Fun Meter Jody McVeigh-Schultz, Supervising Editor Lane Farnham, Supervising Editor James Lee Hernandez, Editor Brian Lazarte, Editor Scott Hanson, Editor
Tiger King: Murder, Mayhem And Madness • Cult Of Personality Netflix • A Goode Films Production in association with Library Films and Article 19 Films Doug Abel, ACE, Editor Nicholas Biagetti, Editor Dylan Hansen-Fliedner, Editor Geoffrey Richman, ACE, Editor Daniel Kohler, Editor
Outstanding Picture Editing For A Structured Reality Or Competition Program
LEGO Masters • Mega City Block Fox • Endemol Shine North America, Tuesday’s Child, Plan B Samantha Diamond, Editor Dan Hancox, Editor Karl Kimbrough, Editor Ian Kaufman, Editor Kevin Benson, Editor Josh Young, Editor Jon Bilicki, Editor
Queer Eye • Disabled But Not Really Netflix • Scout Productions, Inc. and ITV Entertainment, LLC Ryan Taylor, Lead Editor Tony Zajkowski, Editor
RuPaul’s Drag Race • I’m That Bitch VH1 • World of Wonder Productions Jamie Martin, Lead Editor Michael Roha, Editor Paul Cross, Editor Michael Deis, Editor Ryan Mallick, Editor
Survivor • It’s Like A Survivor Economy CBS • MGM Television Michael Greer, Supervising Editor Chad Bertalotto, Editor Evan Mediuch, Editor James Ciccarello, Editor Jacob Teixeira, Editor
Top Chef • The Jonathan Gold Standard Bravo • Magical Elves Matt Reynolds, Editor David Chalfin, Editor Mike Abitz, Additional Editor Eric Lambert, Additional Editor Jose Rodriguez, Additional Editor Dan Williams, Additional Editor
Outstanding Picture Editing For An Unstructured Reality Program
Cheer • God Blessed Texas Netflix • One Potato Productions, Boardwalk Pictures and Caviar Arielle Kilker, Supervising Editor David Nordst rom, Supervising Editor Kate Hackett, Editor Daniel McDonald, Editor Mark Morgan, Editor Sharon Weaver, Editor Ted Woerner, Editor
Deadliest Catch • Cold War Rivals Discovery Channel • Original Productions, LLC Rob Butler, ACE, Supervising Editor Isaiah Camp, Supervising Editor Ben Bulatao, ACE, Editor Joe Mikan, ACE, Editor Ralf Melville, Editor Alexandra Moore, Editor
Life Below Zero • The New World National Geographic • BBC Studios Matt Edwards, Editor Jennifer Nelson, Editor Tony Diaz, Additional Editor Matt Mercer, Additional Editor Eric Michael Schrader, Additional Editor Michael Swingler, Additional Editor
RuPaul’s Drag Race: Untucked • The Ball Ball VH1 • World of Wonder Productions Kendra Pasker, Lead Editor Yali Sharon, Editor Kate Smith, Editor
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Better Call Saul • Bagman AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Nick Forshager, Co-Supervising Sound Editor Kathryn Madsen, Co-Supervising Sound Editor Matt Temple, Sound Effects Editor Todd Toon, Sound Effects Editor Jeff Cranford, Foley Editor Jane Boegel, Dialogue Editor Jason Newman, Music Editor Gregg Barbanell, Foley Artist Alex Ullrich, Foley Artist
The Boys • The Name Of The Game Prime Video • Sony and Amazon Studios Wade Barnett, Sound Supervisor David Barbee, Sound Effects Editor Mason Kopekian, Foley Editor Brian Dunlop, Dialogue Editor Ryan Briley, ADR Editor Chris Newlin, Music Editor Christopher Brooks, Music Editor Joe Sabella, Foley Artist Jesi Ruppel, Foley Artist
The Crown • Aberfan Netflix • Left Bank Pictures in association with Sony Pictures Television Lee Walpole, Supervising Sound Editor Andy Kennedy, Sound Designer Saoirse Christopherson, Sound Effects Editor Juraj Mravec, Sound Effects Editor Tom Williams, Dialogue Editor Steve Little, ADR Editor Tom Stewart, Foley Editor Anna Wright, Foley Artist Catherine Thomas, Foley Artist
Star Trek: Picard • Et In Arcadia Ego: Part 2 CBS All Access • CBS Television Studios in association with Secret Hideout and Roddenberry Entertainment Matthew E. Taylor, Sound Supervisor Tim Farrell, Sound Editor Henry Cohen, Sound Editor Michael Schapiro, Sound Editor Sean Heissinger, Sound Editor Clay Weber, Sound Editor Moira Marquis, Music Editor Stan Jones, Music Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist
Stranger Things • Chapter Eight: The Battle Of Starcourt Netflix • Netflix Craig Henighan, Co-Supervising Sound Editor William Files, Co-Supervising Sound Editor Ryan Cole, Sound Editor Kerry Dean Williams, Sound Editor Angelo Palazzo, Sound Editor Katie Halliday, Sound Editor David Klotz, Music Editor Steve Baine, Foley Artist
Westworld • Parce Domine HBO • HBO Entertainment in association with Kilter Films, Bad Robot and Warner Bros. Television Sue Gamsaragan Cahill, Supervising Sound Editor Benjamin L. Cook, MPSE, Sound Designer Shaughnessy Hare, Special Effects Editor Jane Boegel-Koch, Dialogue Editor Tim Tuchrello, Dialogue Editor Sara Bencivenga, ADR Editor Brendan Croxon, Foley Editor Adrian Medhurst, Foley Artist Christopher Kaller, Music Editor
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
GLOW • The Libertines Netflix • Tilted Productions Robb Navrides, Supervising Sound Editor/ ADR Editor Colette Dahanne, Sound Effects Editor Jason Lezama, Dialogue Editor David Beadle, Dialogue Editor Jason Krane, MPSE, Dialogue Editor Larry Hopkins, Foley Editor
The Mandalorian • Chapter 1: The Mandalorian Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Matthew Wood, Co-Supervising Sound Editor Bonnie Wild, Sound Effects Editor James Spencer, Dialogue Editor Richard Quinn, ADR Editor Richard Gould, Foley Editor Stephanie McNally, Music Editor Ryan Rubin, Music Editor Ronni Brown, Foley Artist Jana Vance, Foley Artist
Silicon Valley • Exit Event HBO • HBO Entertainment in association with Judgmental Films, Alec Berg and 3 Arts Entertainment Bobby Mackston, Sound Supervisor Sean Garnhart, Sound Effects Editor Ryan Gierke, Dialogue Editor Joe Deveau, Music Editor Vincent Guisetti, Foley Artist
Space Force • THE LAUNCH Netflix • Netflix Bobby Mackston, Co-Supervising Sound Editor/ ADR Editor Paul Hammond, Co-Supervising Sound Editor/ Dialogue Editor Sean Garnhart, Sound Effects Editor Vincent Guisetti, Foley Artist
What We Do In The Shadows • The Return FX Networks • FX Productions Steffan Falesitch, Sound Supervisor David Barbee, Sound Effects Editor Angelina Faulkner, Dialogue Editor Steve Griffen, Music Editor Sam C. Lewis, Foley Editor John Guentner, Foley Editor Ellen Heuer, Foley Artist
Outstanding Sound Editing For A Limited Series, Movie Or Special
American Horror Story: 1984 • Camp Redwood FX Networks • Twentieth Century Fox Television Gary Megregian, MPSE, Supervising Sound Editor Timothy A. Cleveland, Sound Effects Editor Naaman Haynes, Dialogue Editor Patrick Hogan, Dialogue Editors Sam Munoz, Foley Editor David Klotz, Music Editor Noel Vought, Foley Artist
Catherine The Great • Episode Four HBO • HBO Miniseries in association with Sky and New Pictures/Origin Pictures Jim Goddard, Sound Supervisor Craig Butters, Sound Designer Duncan Price, Dialogue Editor Matthew Mewett, ADR Editor Andrew Glen, Music Editor Anna Wright, Foley Artist Catherine Thomas, Foley Artist
Devs • Episode 3 FX Networks • FX Productions Glenn Freemantle, Sound Designer and Co-Supervising Sound Editor Ben Barker, Sound Designer and Co-Supervising Sound Editor Gillian Dodders, Dialogue Editor James Wichall, Dialogue Editor Danny Freemantle, Sound Effects Editor Robert Malone, Sound Effects Editor Dayo James, Sound Effects Editor Nicholas Freemantle, Sound Effects Editor Lily Blazewicz, Foley Editor Emilie O’Connor, ADR Editor
El Camino: A Breaking Bad Movie Netflix • Sony Pictures Television / High Bridge Productions / Gran Via Productions Nick Forshager, Co-Supervising Sound Editor Todd Toon, Co-Supervising Sound Editor Kathryn Madsen, ADR Editor Jane Boegel, Dialogue Editor Luke Gibleon, Sound Effects Editor Jason Tregoe Newman, Music Editor Bryant J. Fuhrmann, Music Editor Jeff Cranford, Foley Editor Gregg Barbanell, Foley Artist Alex Ullrich, Foley Artist
Watchmen • This Extraordinary Being HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Brad North, Supervising Sound Editor Harry Cohen, Sound Designer Jordan Wilby, Sound Effects Editor Tiffany S. Griffith, Dialogue Editor Antony Zeller, Foley Editor A.J. Shapiro, Foley Editor Sally Boldt, Music Editor Zane Bruce, Foley Artist Lindsay Pepper, Foley Artist
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Apollo 11 CNN • CNN Films, Statement Pictures, Neon Eric Milano, Sound Design
Beastie Boys Story Apple TV+ • Pulse Films Martyn Zub, Supervising Sound Editor Paul Aulicino, Sound Effects Editor Pernell Salinas, Sound Editor
Cheer • Daytona Netflix • One Potato Productions, Boardwalk Pictures and Caviar Logan Byers, Sound Supervisor Kaleb Klinger, Dialogue Editor Sean Gray, Sound Effects Editor
Laurel Canyon: A Place In Time Epix • A Jigsaw and Kennedy/Marshall Production in association with Amblin Television and Warner Music Entertainment Jonathan Greber, Sound Supervisor McMillion$ • Episode 1 HBO • HBO Documentary Films and nrealistic Ideas in association with Fun Meter Ben Freer, Sound Designer Jordan Meltzer, Sound Designer Jody McVeigh-Schultz, Music Editor
Tiger King: Murder, Mayhem And Madness • Cult Of Personality Netflix • A Goode Films Production in association with Library Films and Article 19 Films Ian Cymore, Sound Supervisor Rachel Wardell, Sound Editor Steve Griffen, Music Editor